What: Signature's revival of Will Eno's stream of consciousness monologue play, with Michael C. Hall.
And? I remember reading the script years ago and being completely befuddled by it, but I'd heard that it was amazing live; I also thought Michael C. Hall did excellent work in the Broadway run of Eno's The Realistic Joneses, so I was excited to see this. It's still weird, and confusing, but a bit easier to track than when you're just reading it on the page. Compelling and strange.
|Michael C. Hall as Thom Pain. Photo by Joan Marcus.|
11/20/18: To Kill a Mockingbird
What: Aaron Sorkin's adaptation of Harper Lee's classic novel about the importance of principles and goodness, in a small southern town with a black man on trial for a crime he didn't commit.
And? While I don't think this can eclipse the book or film, which are pretty perfect executions, this is adequately done. Knowing both the source material and Sorkin's style well, it's kind of fun to watch and think "That's Harper Lee's line. That's a Sorkin move. Lee. Sorkin." While I have a few complaints about choices which I think weaken the arc (including Scout's growth), it's largely a powerful piece of theater with a deep bench of talented performers.