What: Broadway transfer of a new musical adaptation of the first book of the popular YA fantasy adventure series, about a teenage boy who discovers he's a demigod, and then gets framed for a theft that could lead to an all-out war among the pantheon of Greek gods.
And? I saw this in early previews, so I can hope that the things I'm about to complain about get better: I kept being blinded by the lights, and the sound mix was so bad that the orchestra kept overpowering the singers and I often couldn't hear or understand the lyrics. Unfortunately, both of these elements conspired to make me turn off fairly early on in the show. Although Percy's banter was enjoyably snarky, a lot of the other humor betrayed some laziness on the writers' part (guys, isn't it hilarious when a man wears a dress? isn't femininity by definition just so funny? also, making a crack about a musician ending up in the Underworld is playing to the Christian version of Hell much more than the Greek version, so that joke made no sense, and if it sounds like I'm nitpicking, guess what I was super annoyed that I couldn't understand 3/5 of what I was hearing, so this is what you get). Chris McCarrell as Percy and Jorrel Javier as Grover and Mr. D were both very funny (though again, diction and sound mix meant I missed a lot). Ryan Knowles as Chiron, Hades, Poseidon, and basically any rando the three adventurers met was a consistent delight. Also I liked the concept for Lee Savage's scenic design, but would have appreciated more textual integration.
Also I just realized that this year has three different incarnations of Hades on a New York stage (Hadestown and the Public Works run of Hercules being the other two), and that's kind of fun.
|Jorrel Javier, Chris McCarrell, Kristin Stokes, and James Hayden Rodriguez as |
Grover, Percy Jackson, Annabeth, and Ares. Photo by Jeremy Daniel.
9/25/19: Caesar & Cleopatra
What: George Bernard Shaw's play about, well, Caesar and Cleopatra, a proto-Pygmalion. Presented by Gingold Theatrical Group.
And? Unfortunately distinctly unengaging as a production, though the design is appealing.
|The cast of Caesar & Cleopatra. Photo by Carol Rosegg.|