Monday, October 27, 2025

Weekly Margin 2025, W43: Punch, Truman vs. Israel, Theater in Quarantine: Phantom of the Opera

10/22/25: Punch
What: Manhattan Theatre Club hosts the Broadway transfer of James Graham's adaptation of Jacob Dunne's Right From Wrong, about a young man whose punch in a brawl inadvertently causes the death of the man hit, and the aftermath of the asault, his time in prison, and the time afterward.
And? Due to a combination of jetlag and insomnia the previous night, I had a great deal of difficulty taking in this production and unfortunately can't do a write up of it. I'm sorry; the show deserves better and I wish I could have given it that.

The company of Punch. Photo by Matthew Murphy.


What: A fictionalized encounter between Bella Abzug and Harry S. Truman as Truman contemplates a libel lawsuit against journalist David Rosenfeld.
And? full review here.

Helen Laser and Willy Falk as Bella Abzug and Harry S. Truman. Photo by
Darin Chumbley.



Streaming Theater Content

Sunday, October 26, 2025

Margin Notes: Truman vs. Israel


Seen on: Friday, 10/24/25.
Helen Laser and Willy Falk as Bella Abzug and
Harry S. Truman. Photo by Darin Chumbley.


Plot and Background
Greenhouse Theater Center presents the world premiere of William Spatz's play, a fictionalized encounter of President Truman and Bella Abzug as Truman contemplates a libel lawsuit against journalist David Rosenfeld.

What I Knew Beforehand
Very very loosely that it had something to do with Truman's relationship with the then-new sovereign state of Israel.

Thoughts:

The play begins with Bella Abzug in the late 1980s having her portrait painted. As she and the unnamed Painter discuss the current state of affairs in the Middle East, she flashes back thirty years to the time she met with Truman to persuade him out of his attempted lawsuit against a journalist who accused him of antisemitism. As Abzug, her associate Don Muller, and Truman himself unpack the evidence it becomes clear that while the president may not be a torch-bearing antisemite and indeed does brag of having a Jewish Friend (TM)--who isn't allowed in the house--there is enough evidence dating back years to show a stark bias that might have fueled his refusal to help arm Israel during its 1948 war with all its surrounding Arab neighbors (also known as Israel's War of Independence). Things come to a violent head when ulterior motives for the meeting are revealed, but don't worry, it sticks to history and everyone survives the play.

Monday, October 20, 2025

Weekly Margin 2025, W40: Yoshitsune and the Thousand Cherry Trees (Part 2, Act 1)

10/04/25: Yoshitsune and the Thousand Cherry Trees (Part 2, Act 1)
What: Kabukiza Theater in Tokyo presents this full-length play in three parts across the month of October. Each part has two acts. We bought a ticket to see the first act of part two (they sell day-of single-act tickets for seats in the fourth tier)
And? One of my big Must Needs for my recent visit to Japan with some friends was that I got to see some classic Japanese theater. We ended up seeing this on our first day, which was both good (made sure it happened) and bad (hooboy, the jetlag). So I can't tell you precisely what the story was that we saw (especially as I opted not to use the subtitle tablet), but it was still a cool experience to see all the elements of Kabuki on display: the elaborate makeup and vocal stylings, the Reciter and musicians to the side of the stage, the hanamichi leading to the front of the stage from the left. Also interesting were what the audience applauded, even when we didn't know why: particular character entrances, or sequences. I couldn't follow the plot especially in scenes where the performers stayed very still (and were so far away I couldn't see who was speaking), but I very much enjoyed the extended battle sequence, which had impressive and elaborate choreography.