What: The sequel to All the Way, this is is playwright Robert Schenkkan and director Bill Rauch's second examination of President Lyndon B. Johnson, tracking the decline of his term, as any good intentions are stymied by his need for political maneuvering.
And? Schenkkan and Rauch have now spent two Broadway plays trying to convince me I needed to see one Broadway play about LBJ. I don't remember minding the first play when I saw it, but The Great Society ... this play is nearly three hours when it doesn't even need to be two. It's three hours about how much Johnson failed as a president, as an ally to the African American community, and in the war in Vietnam, without convincing me I should care about whether or not he deserved to fail. I couldn't for the life of me find a story in the series of events I was shown, and once we hit the two hour mark, I became increasingly disengaged and distracted, wondering how much longer this could go on. Brian Cox, though he doesn't attempt LBJ's Texan accent, is excellent, but it's not enough to make this show worth my time.
What: Playwrights Horizons presents Jaclyn Backhaus's new play, about women defined in history through their relationship to men, but who forge new strong bonds with each other.
And? I loved it. Weird and brilliant and funny and moving, a conjuring really of all of these things and more, in only 80 minutes. While I wasn't bowled over by Backhaus's recent play, India Pale Ale, Wives reminded me of all the things I loved in her other work at Playwrights, Men on Boats. Great stuff.
|Adina Verson, Aadya Bedi, and Purva Bedi as Mary Welsh, Martha Gelhorn,|
and Hadley Richardson. Photo by Joan Marcus.