What: Red Bull's new production of Shakespeare's tragedy, as directed and adapted by Erica Schmidt: seven schoolgirls gather in an abandoned lot to play-act the story of Macbeth, with menacing undertones.
And? Seconding Wendy Caster's review on Show Showdown: the idea of another high-concept Shakespeare can get a bit tiring, but this one absolutely worked, I think in large part because concept aside, the Shakespeare was so clear. The text was economically trimmed down, but entertaining and clear, the relationships were beautiful crafted (honestly the most loving Mac and Lady Mac I've ever seen), the entire cast is ridiculously talented, and the concept enhanced, rather than got in the way of, the actual story being told. As the dramaturgical notes in the program warn us (well, those of us who had a chance to read them), there is a bit more at play than seven girls telling each other a story, and I definitely have some thoughts about the pluses and minuses of that bit more; but overall this was such excellent execution, with a much stronger demarcation of the influence of the three Witches on the proceedings, that really enriched the whole thing for me. By the time this posts, the production will have closed, but I'm glad I got to catch it before it did.
|AnnaSophia Robb and Sophie Kelly-Hedrick as the two Murderers.|
Photo by Carol Rosegg.
6/07/19: A Strange Loop
What: Playwrights Horizons presents Michael R. Jackson's (deep breath) musical about a black, queer musical theater writer writing a musical about a black, musical theater writer writing a musical about ... you get it. Though he assured us at the talkback it's not autobiographical so much as it occasionally borrows from the truth.
And? Hot damn, this was brilliant. Sondheim-level cleverness-meets-neurosis in the faster songs (to say nothing of the pastiche). Angry and hilarious and painful and the full gamut, with a transformative space and a crazy talented ensemble.
|Larry Owens, center, and the cast as Usher and his Thoughts. |
Photo by Joan Marcus.